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Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
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Magazines
All Winds
All Woodwinds
Flute Magazine
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All Brass
Trumpet Magazine
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All Strings
Violin Magazine
Viola Magazine
Cello Magazine
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Current
News
Blog
Features
Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
Resources
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International Journal of Music
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Double Bass
A magazine for Double Bass pros, students and enthusiasts.
Herng-Yu Pan: “Auditioning Taught Me How to Fail, and I Think This Is a Good Thing to Learn as a Musician”
Petracchi on How His Method Book Came About and Some Recommendations for Preparing for Contests
Franco Petracchi: “Study Is the Essence That Allows You to Work and Teach Successfully”
Édouard Nanny @ 150
Lorraine Campet — Bach: Cello Suite No. 1, Prelude (Part 2)
Bass Magazine Joins Forces with String Virtuoso
Franco Petracchi’s Highlights
Lorraine Campet’s Advice for Double Bass Students
Lorraine Campet: “We Don’t Play an Instrument; We Express Emotions in Music Through an Instrument That We Love”
The Unique Teppo
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All Winds
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