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Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
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Magazines
All Winds
All Woodwinds
Flute Magazine
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Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
Resources
Lessons
Buyer’s Guides
International Journal of Music
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Interviews
Alessandra Belloni: “When We Played This Music for People, It Wasn’t Only Healing for Us; It Was Healing for the Communities”
Marius Neset: “When I Play the Sax, I Want to Be Able to Use It as a Tool for Creative Expression. That’s What I Want to Do Most With My Music”
Herng-Yu Pan: “Auditioning Taught Me How to Fail, and I Think This Is a Good Thing to Learn as a Musician”
Melissa Aldana: “In the Moment”
Franco Petracchi: “Study Is the Essence That Allows You to Work and Teach Successfully”
Fanny Azzuro: “The Préludes Are Full of Miniatures in Which One Must Infuse a Lot of Emotions”
Lorraine Campet: “We Don’t Play an Instrument; We Express Emotions in Music Through an Instrument That We Love”
Danielle VanTuinen: “Seek Opportunities to Play With One Another Regardless of the Instrumentation”
Shannon Lowe: “We Improve as Teachers When We Continue That Quest for Knowledge and Invite Others to Share and Learn”
Adam Wakeman: “During This Period of Reflection, When the World Seemed to Pause, It Gave Me Time to Rekindle My Relationship With the Piano and the Classical Style I Started Out Playing on Those Early Albums With My Father”
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Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
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