Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
Resources
Lessons
Buyer’s Guides
International Journal of Music
Shop
Login
Follow
Facebook
Twitter
Instagram
Youtube
Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
Resources
Lessons
Buyer’s Guides
International Journal of Music
Shop
Login
Follow
Facebook
Twitter
Instagram
Youtube
Interviews
Sean Jones: “If You Can’t Sing a Melody, Chances Are That You Can’t Play a Melody”
Ingrid Jensen: “If You Have Patience and a Will to Keep Learning Forever, You Will Only Get Better”
David Hickman: “One of the Main Principles Is to Spend 90% of Your Time on the 10% of the Music That Is Most Difficult”
James Morrison: “If You’re Studying Too Many Things That You Don’t Love, Then You Will Find It All Too Much Work”
Jeffrey B. Smith: “It Is of Utmost Importance to Be Able to Play in All Styles and Genres Possible; This Opens a Lot of Doors”
Bobby Shew: “There Are Two Things You Can Do With Music: Impress People or Touch People. So, Think About What Your Intention Is When You Play”
Posts navigation
1
…
23
24
25
Scroll To Top
Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Resources
Lessons
Buyer’s Guides
International Journal of Music
Shop
Login
Shop
Authors
About
Facebook
Twitter
Instagram
Youtube