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Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
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Magazines
All Winds
All Woodwinds
Flute Magazine
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Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
Resources
Lessons
Buyer’s Guides
International Journal of Music
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Interviews
Anneke Scott: “If We Want to Be a Cultural Force for Good and Engage With Members of the Public, It Is Vital That We Are All Openly Positive About What We Do”
Gabriel Bianco: “I Never Get Tired of Playing or Listening to Johann Sebastian Bach’s Music on the Guitar!”
Noemi Gyori: “Playing Lots of Chamber Music Is a Really Wonderful Way of Growing as an Artist”
Felix Klieser: “Making Music, for Me, Is All About Making People Happy and Giving Them a Beautiful Time”
Robert Hamilton: “Music Has Always Been My Language. It Speaks to Me More Deeply and Prevalently Than Anything Else”
David Russell: “If You Are Not Confident in What You Intend to Offer, Then You Will Find It Difficult to Inspire Confidence in Others”
John Lawless: “No One Wants to Hear You Say How Good You Are; Just Play!”
Chi-chi Nwanoku: “We Can Learn From History, but We Will Be Judged by Our Actions Today”
Vadim Karpinos: “Always Try to Get Better Even When You’re Good at Something”
Dane Roberts: “I Think if Someone Really Wants to Get Into Early Music, They Should Start With a Single Piece or Composer They Are Fascinated by and Follow the Obvious Leads. You Will Be Surprised How Far That Will Take You!”
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Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
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