Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
Resources
Lessons
Buyer’s Guides
International Journal of Music
Shop
Login
Follow
Facebook
Twitter
Instagram
Youtube
Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Pianist as Protestor
Alex Norris — “Fleet From the Heat” (SteepleChase, 2021)
Alison Balsom — “Quiet City” (Warner Classics, 2022)
Hildur Guðnadottir: 12 Important Dates in Her Life
Midori on Her 40th Anniversary on Stage
Mikhail Pochekin Presents His Transcription for Violin of Albéniz’s “Asturias”
Hildur Guðnadottir: “The Score Can Almost Go Unnoticed — Its Transparency Is Meant to Draw You in and Keep You on Your Toes”
Cate Blanchett: “The Thing That Really Struck Me Is That in the Beginning, I Wasn’t Breathing — That’s Just So Important for Conducting. You Have to Breathe With the Orchestra”
Alex Norris: “Be Good, Be Professional, Be Nice”
Resources
Lessons
Buyer’s Guides
International Journal of Music
Shop
Login
Follow
Facebook
Twitter
Instagram
Youtube
arturo.castro
17 Articles Published
|
Follow:
Ponce: “24 Preludios” Scientific Urtext Edition
Tilman Hoppstock: “Our Job as Teachers Is to Bring More Exciting Perspectives to Our Students and Challenge Them to Be Creative With What They Do”
Ivan Rijos: “Some People Can Play a Single Note With Such a Tremendous Value That It Reaches the Deepest Part of You”
Gaelle Solal: “People Want to See Who You Are, so There Is No Use Trying to Hide Behind Your Guitar”
Xuefei Yang at Zhizhu Temple
Richard Patterson: “Treat Artists Like They Are Important, Not People Who Are Just There to Make You Money”
Xuefei Yang: “The Chinese Contribution to Art and Culture so Often Gets Totally Overlooked”
Koen Claeys: “If an Audience Can Relate to the Music You Are Playing, and You Play It Well, You Have Done Your Job”
Marlon Titre: “Instead of Assuming Students Will Just ‘Figure It Out’ in the Professional World, the Challenge of the Conservatory Is to Decide What Courses We Can Provide to Make Sure Musicians Are Prepared For the Future”
Upcoming Recording and Future Projects of Judicael Perroy
Posts navigation
1
2
Scroll To Top
Magazines
All Winds
All Woodwinds
Flute Magazine
Oboe Magazine
Clarinet Magazine
Bassoon Magazine
Sax Magazine
All Brass
Trumpet Magazine
Horn Magazine
Trombone Magazine
Tuba Magazine
All Strings
Violin Magazine
Viola Magazine
Cello Magazine
Bass Magazine
Percussion Magazine
Guitar Magazine
Piano Magazine
Current
News
Blog
Features
Resources
Lessons
Buyer’s Guides
International Journal of Music
Shop
Login
Shop
Authors
About
Facebook
Twitter
Instagram
Youtube